Composition

After some initial probes in the 80's when he was studying Sonology, Jeroen returned to composing Electro-Acoustic music in 2007 when he was invited at Worm in Rotterdam for a residency. The piece called ‹‹the Spanning›› was premiered in Worm in an adaptation for ‹‹the 192››, a wave front synthesis system consisting of, indeed, 192 loudspeakers. Eventually it motivated to pick up a study in composition, which he finished in 2017 at the ZHdK, with an MA in Theory and Composition. Since then the following works were composed:

Limbic Limbo 2017 composition for percussion, live electronics, smartphones and cloudspeakers ca 12m  
Tetractys Etude 2016 electronic algorithm-based composition for one loudspeaker and four rgb lightfixtures ca 7m  
Some people walk in the rain, others just get wet 2016 composition for piano, tenorsaxophone,vibraphone and live electronics 15-18m  
Tensegrity 2016 electronic composition, fixed media, 8 channel 15m  
A Page of Madness 2016 film music live in concert, guided improvisation 60m  
antipodean rim 2015 electronic composition, fixed media, 8 channel 4m52s  
Accumulations 2015 Neukoms co-composition, for laptop and analog electronics, live stream to smartphone and 8 channel loudspeaker setup 25m  
A Place I‘ve Never Been 2015 composition for an animated movie by Adrian Flury. Fixed media, 8 channel

4m  
Hu_Manhu_Wo_Man 2015 transdisciplinary performance, computermusic, colored Lighting 60m  
Insects 2014 Neukoms co-composition, for laptop and analog electronics, live stream to smartphone and 8 channel loudspeaker setup 15m  
Fano 2014 performance for two dancers and two musicians 45m  
12&12 2012 sound installation,  field recordings, Addis Ababa 24h  
The Half-Graben 2012 for guitar, organ, electronics, field records. Adaptation for 8 channels 6m30s  
The Spanning 2007 for analog modular synthesizer, adaptation for 8 channel ambisonics 13m40s